#Alien isolation anesidora cut scene Pc

And someone will most likely look for Amanda Ripley and maybe also others (add more NPCs) who survived the destruction of Sevastopol Station. It might attract interest in many forms, probably from various corporate representatives. Perhaps there are a lot stuff - androids and xenomorphs for example - drifting in space after the destruction of the station. It could continue with more people arriving to the site. The story actually doesn’t have to end where the game ends. Maybe there is something big going on within the Seegson company that isn’t revealed in the game or in the novel? What are their true plans for the station? The Sevastopol station is interesting enough even for a longer campaign. The scenario would then take place a few minutes (or so) after the events in the original game.Īnother interesting question is as usually: who are the PCs really? Are they corporate visitors or a part of the station crew? And if they are visitors, when do they arrive? There is a specific timeline in the both the game and in the tie in-novel, but you don’t have to stick with that. The PCs might meet her at some point late in the game - or just from the start.

#Alien isolation anesidora cut scene Pc

Maybe some other PC already has a connection to her in some way? Perhaps through some previous mission? Or from a corporate secret file? Ripley might ask for help or she could even be an enemy. As a start, I would consider keeping Amanda Ripley in the story. Well, I’ll add some other ideas, a bit outside the main premise presented here. The plot of the game is actually really good! Maybe have a look at the tie-in novel to find the relevant scenes/boxes to use? It would tie in nicely with the setting/lore, by explaining why the Space Jockey beacon stopped transmitting, adding details about WY's schemings, etc. followed by the released Marlow getting to the hidden Anesidora and the destruction of Sevastopol's orbital stabilisers, causing the station to slowly drift into KG-348's atmosphere. Further plots exposes with the find that Seegson had been trying to sell off Sevastopol to Weyland-Yutani, who instructed APOLLO to protect the alien at all costs. Attempts to interface with the station's AI, APOLLO, to cease the rampage. While on the way back through spacewalk to confront Waits, the station's service androids abruptly starts to slaughtering the remaining crew. Although successful, Waits tries to eject the module with the team still inside. Perhaps Waits will use the players to try to contain the Alien inside a remote module of the station, and then eject it into space. Marlow's wife was attacked by a Facehugger, and was then brought to Sevastopol for medical treatment, but died after a Chestburster hatched from her. Finding out about that the salvage crew was able to backtrack the Nostromo's path to LV-426 and locate the derelict ship, containing a nest of alien eggs. Interrogations of the captain of Anesidora, Henry Marlow. After run-ins with stressed survivors, looters and the station's Marshal, the plot will unfold. The players will also discover that the station has a single, deadly Alien creature lurking aboard.

While exploring the station, they find the flight recorder of the Nostromo, but the data has been corrupted. They attempt to spacewalk into Sevastopol, but their EVA line is severed by debris, breaking of contact with the ship they came in. The team travel to Sevastopol, finding that the station is damaged and external communications are offline. Set 15 years after Alien the Nostromo the flight recorder has been located/retrieved by salvage ship Anesidora, and is being held aboard Sevastopol, a Seegson Corporation space station orbiting the gas giant KG-348.

Dilute down to a couple of key scenes/sets maybe, letting the players square off with limited resources against one deadly alien, testing their skill against various obstacles etc. Plenty of interaction with charactrs onboard for roleplaying, with skill tasks to restart areas, find logs etc. Finalize the take over of the station, implementing special orders.Ĭut down on the digitial gamey running around opening different areas of course and make it a more sandbox-styled setting, letting the plot unfold that way. One is there to do damage control & cover all traces, once 1 is done.Ĥ. Converting the plot from the console game to a cinematic scenario, seems like a no-brainer to me, if the players have not played it.Įasy to do agendas based on characters from the game, even if you write out Amanda Ripley's involvement:Īll with various cover ops, there to only collect the recorder, do a legal assessment, security, etc.Ģ is from another company, spying/sabotage on WY.ģ.